How to Deconstruct the Text
How to Deconstruct the Text
Hello learners. I am a student. I am writing this blog as a part of thinking activity which assigned by Dilip Sir. In which we have to discuss own understanding of the Deconstruction process and analyze three poems. "Sonnet 18 by William Shakespeare"
"In a Station of Metro by Ezra Pound" and "Red Will barrow by William Caros Williams".
Sonnet 18 by William Shakespeare :
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd;
But thy eternal summer shall not fade
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wanderest in his shade,
When in eternal lines to time thou growest:
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.
Shakespeare's Sonnet 18, "Shall I compare thee to a summer's day?", masterfully explores themes of beauty, time, and immortality through poetry. The speaker begins by contemplating whether to compare the beloved to a summer's day but quickly asserts that the beloved is more lovely and temperate. The transient nature of summer, marked by rough winds and a fleeting duration, is contrasted with the enduring beauty of the beloved. Shakespeare personifies natural elements like the sun and death to illustrate the imperfections of summer and the ravages of time, suggesting that all beautiful things inevitably decline either by chance or the natural course of events.
The pivotal turn in the poem emphasizes that the beloved's "eternal summer" will not fade, nor will death claim the beloved, because their beauty is immortalized in the "eternal lines" of the sonnet. This theme of achieving immortality through art underscores the poem, as Shakespeare concludes that as long as humanity exists, his verse will live on, ensuring that the beloved's beauty is preserved for all time.
The sonnet's harmonious rhyme scheme and vivid imagery further enhance its timeless appeal, showcasing Shakespeare's unparalleled skill in capturing the essence of human experience through the written word.
In a Station of Metro by Ezra Pound :
Ezra Pound's poem "In a Station of the Metro" exemplifies the Imagist movement with its brevity, clarity, and vivid imagery. Comprising only two lines, the poem captures a momentary vision in the bustling environment of a metro station. The first line, "The apparition of these faces in the crowd," evokes a ghostly, fleeting image, suggesting the transient nature of the individuals glimpsed in the crowded metro. The word "apparition" implies an ethereal, almost supernatural quality to these brief encounters. In contrast, the second line, "Petals on a wet, black bough," draws a vivid comparison to the natural world.
The delicate petals, symbolizing beauty and ephemerality, are set against the stark, dark image of a wet bough, freshly moistened by rain. This juxtaposition of urban and natural imagery underscores the unexpected moments of beauty found in everyday life.
The metaphor linking faces to petals highlights the individuality and fleeting presence of people in the metro, while the contrast between the vivid petals and the dark bough emphasizes the transient nature of human interactions. Pound's precise language and sharp imagery invite readers to visualize the scene and reflect on the transient beauty of life. Through this minimalist approach, Pound achieves a powerful, lasting impression, demonstrating the potency of Imagist poetry.
Red Will barrow by William Caros Williams :
William Carlos Williams' poem "The Red Wheelbarrow" exemplifies Imagist poetry through its simplicity and vivid imagery. The poem opens with the lines "so much depends upon," suggesting the significance of the image that follows, and setting a contemplative tone that invites readers to ponder the importance of ordinary objects. The central image of "a red wheel barrow" stands out with its bright color, implying vitality and presence. The wheelbarrow, a simple, utilitarian object, is elevated in status through its focus in the poem, encouraging readers to appreciate its essential role in the scene.
The description "glazed with rain water" adds visual and tactile detail, as the rainwater gives the wheelbarrow a fresh, shiny appearance, suggesting recent rain and adding a sense of immediacy. The word "glazed" evokes a sense of artistry, as if the wheelbarrow has been intentionally adorned.
The placement of the wheelbarrow "beside the white chickens" introduces another element of the scene, with the white chickens contrasting against the red wheelbarrow and enhancing the visual impact. This juxtaposition of colors in the everyday rural setting underscores the simplicity and beauty of the scene.
Through its precise, unadorned language and clear, sharp images, the poem highlights the significance and beauty of ordinary, mundane objects, emphasizing the inherent worth of everyday life. The poem's minimalist structure, with its short lines and sparse punctuation, reflects the simplicity of the subject matter and encourages readers to focus on each element of the image.
"The Red Wheelbarrow" captures the essence of Imagist poetry by presenting a simple, vivid image that evokes deeper reflection on the importance and beauty of everyday objects, inviting readers to appreciate the interconnectedness of life.
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